Sounds very often appear highly altered and processed, the main creative process starts after recording. On the other hand there is musique concrete, which also uses field recordings, but as raw material for actual musical compositions. In this aspect phonography might be considered comparable to photography, with positioning of the microphone(s) into the soundscape, fixed or moving, and the actual recording being opposed to a photographer`s and use of lenses and positioning of the camera. On one hand there is phonography, which puts the creative emphasis onto the actual process of recording a soundevent. The concpept is to work upon the "grey area" between two different aspects of artistic work with field recordings and environmental sounds. He presents us pieces by 32 artists, whose approach to the given guidelines is as creative as different. Rightly so! This is an audible counterpart to a wealthy art book or an exhibition, even though being decidetly completely free! The DJ Fred Yarm from Boston earned himself honors with this great accomplishment. The artists behind the lable are doing a great job by not only carefully chosing their regular releases, establishing what they call the "Webbed Hand Records-flavour", but also presenting very well chosen thematic compilations reflecting upon the history and present of varios styles in electronic music and the sonic arts.Ĭongrously the relese info of "Far Afield" does not speak of a responsible compiler, but a "curator". This is another excellent compilation by the exciting netlabel "Webbed Hand Records", which describes its releases as "aimed at the ears of introverted mystics, dreamers, and lateral thinkers".
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All of our music is free to download, but we'd be very grateful if you could make a small donation (via Paypal) to help with the costs of maintaining a netlabel.Īnd if you like it, please leave us a review here at Internet Archive. Please visit the WHR homepage to explore our complete catalog of experimental and ambient recordings. Thank you for listening to this Webbed Hand Records release. His discography and other information can be found on his website:
Thanos Chrysakis - Afar.Sounds Begin to OozeĪbout the curator: Fred Yarm is a Boston-area experimental DJ, phonographer, theremin player, and sound artist. devslashnull - Von Roll Grate System Test: 1984Ī16.Ěngus Carlyle - The Sea Swells Againī11. Quiet American - Khulna Station (for Andrew Raffo Dewar)Ī11.ĝirewires - Dayslumber via the TrainĪ12. Tracklist (Including URLs and contact info this is a double-CD release):Ī01. McDill of Webbed Hand Records for his encouragement to initiate this compilation and for his efforts to see Far Afield into fruition."
Their work far exceeded my expectations on many levels. Many thanks are to be given to the artists who accepted this challenge to coax such delightful music and beauty out of unplanned and un-orchestrated events. Cracking ice on a lake, cicada songs, rusty gates, dripping water, moving trains, and a handful of other captured sounds provided the instrumental palettes for these compositions. The tracks represent everything from highly composed tracks telling stories or capturing the essence of far away locales to straight field recordings that the artist felt did not need any processing to demonstrate the beauty of the situation. "The results that I received were astounding. This compilation allotted the artists the opportunity to find a middle ground in the realm of musique concrete. However, in relative terms, the phonographers product is rarely as ordered as a musicians composition and a composers product utilizes sounds that are generated for his or her specific purpose.
In reality, phonography can be quite active in the choices of location and timing of the recordings, the placement and movement of the microphones, etc. The terms passive to describe the phonographers process of capturing sound and active to describe the composers process were used however, this sparked a great debate over how passive the phonographers craft is. "The idea behind this compilation was to challenge phonographers and musicians to find a middle ground between their two crafts by sculpting field recordings into creative compositions without using traditional instrumentation (unless captured in the field). This 2-CD compilation was curated by Fred Yarm. Sounds of nature, sounds of the city, using the non-instrumental rhythms and melodies of the source recording as the focal points, coaxing the music and beauty out of unplanned, un-orchestrated events. This compilation treats this no-man's land as its playground.įield recordings they are, with some processing, but not just walls of rhythmic noise. Somewhere in the spectrum between Musique Concrete and Phonography, is a vast gray area that is disowned and disputed by either side.
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